Publications

Peters, D., Eckel, G. and Dorschel, A. (eds.), “Bodily Expression in Electronic Music: Perspectives on a Reclaimed Performativity” (London; New York: Routledge, forthcoming)

Eckel, G., Pirrò, D., Sharma, G. K., "Motion-Enabled Live Electronics", ed. Fabien Gouyon, Álvaro Barbosa, and Xavier Serra, Proceedings of the 6th Sound and Music Computing Conference, Porto, Portugal, 2009, pp. 36-41.

Eckel, G., Pirrò, D., "On Artistic Research in the Context of the Project Embodied Generative Music", Proceedings of the International Computer Music Conference, Montreal, Canada, August, 2009, pp. 541-544.

Parviainen, J., "Dwelling in the virtual sonic environment: Phenomenological analysis of dancers’ learning processes in working with the MEG interface", in: The European Legacy (forthcoming)

Peters, D., “Zum Konzept musikalischer Gestik”, in: Christian Utz (ed), Musiktheorie als interdisziplinäres Fach. 8. Kongress der Gesellschaft für Musiktheorie Graz 2008; Musik.Theorien der Gegenwart Vol. 4 (Saarbrücken: Pfau, 2010), pp. 243-251.

Peters, D., “Enactment in Listening: Intermedial Dance in EGM Sonic Scenarios and the Listening Body”, in: Performance Research, 15:3 (2010), pp. 81-87. View article at journal

Peters, D., “Haptic Illusions and Imagined Agency: Bodily Resistances in Sonic Experience”, in: Contemporary Music Review (forthcoming)

Rocchesso, D., Serafin, S., Behrendt, F., Bernardini, N., Bresin, R., Eckel, G., Franinovic, K., Hermann, T., Pauletto, S., Susini, P., Visell, Y., "Sonic interaction design: sound, information and experience", CHI '08: CHI '08 extended abstracts on Human factors in computing systems, ACM, NY, 2008, pp. 3969-3972.

Vogt, K., Pirrò, D., Kobenz, I., Höldrich, R., Eckel, G., "PhysioSonic - movement sonification as auditory feedback", Proceedings of the International Conference on Auditory Display, Copenhagen, Danmark, 2009.

Eckel, G., “”, in: Positionen (in preparation, tbp 2010)

Eckel, G., “Embodied Generative Music”, in: Peters, Eckel, Dorschel, Bodily Expression in Electronic Music, in preparation (tbp 2010)

Eckel, G., “Working in the Aesthetic Lab”, Sensuous Knowledge, Bergen National Academy of the Arts, September 2009, available online at http://sensuousknowledge.org/2009/06/gerhard-eckel (accessed 18.1.2010)

Parviainen, J., in: Peters, Eckel, Dorschel, Bodily Expression in Electronic Music, in preparation (tbp 2010)

Peters, D., “‘Embodiment’, Elektronische Musik und Expressivität”, in: Positionen: Texte zur aktuellen Musik 83 (2010)

Peters, D., “Touch: Real, Apparent, and Absent. On Bodily Expression in Electronic Music”, in: D. Peters, G. Eckel and A. Dorschel (eds), Bodily Expression in Electronic Music: Perspectives on a Reclaimed Performativity (New York; London: Routledge, forthcoming)

Peters, D., “De- and Reconstructing Bodily Expression in Sound: The ‘Embodied Generative Music’ Project”, in: P. Revers (ed), Proceedings of “Challenging Music, Dance and Performance” Conference, Linz 2009 (forthcoming)

Peters, D., “Musical Understanding, Musical Leib and Intersubjectivity”. Working paper, presented at ‘Scruton’s Aesthetics’ Conference, Durham (2008)

Peters, D. and Eckel, G., Art in Motion conference Graz (2007)

Peters, D., ‘How are bodily and musical expression related?’, GMTH conference Graz (2008)

Peters, D., ‘EGM: Körper-Klang Bezugssysteme’, for FWF-40th anniversary-presentation, Graz (2009)

Peters, D., for Becke-celebration, Graz (2009)

Pirrò, D., "On Artistic Research in the Context of the Project Embodied Generative Music", International Computer Music Conference, Montreal, Canada (August 2009)